ode to nightigale....................JOHN KEATS

JOHN KEATS....

One of the major English Romantic lyric poet John Keats was dedicated to the perfection of poetry marked by vivid imagery that expressed a philosophy through classical legend. Despite his early death from tuberculosis at the age of 25, he devoted his short life to the perfection of poetry marked by vivid imagery, great sensuous appeal and an attempt to express a philosophy through classical legend. Keats's poetry describes the beauty of natural world and art as the vehicles for his poetic imagination. His skill with poetic sound reproduces this sensuous experience for his reader. Keats's poetry involves over his brief career from this love of nature and art into a deep compassion for humanity. He gave voice to the spirit of Romanticism in literature when he wrote, "I am certain of nothing but the holiness of the heart's affections, and the truth of imagination." Twentieth-century poet T.S Eliot judged Keats's letters to be 'the most notable and the most important ever written by any English poet," for their acute reflections on poetry, poets, and the imagination.

John Keats is a great Romantic poet. Of all the great Romantic poets of the early nineteenth century, such as William Wordsworth, P.B. Shelley and Lord Byron, S.T. Coleridge and Robert Southey, Keats possessed the strongest impulse of pure romanticism.  He says: “A thing of beauty is a joy forever” He again says, “Beauty is truth, truth beauty”.  His famous Odes ( “Ode to a Nightingale” and “Ode on a Grecian Urn” etc.) explore the joy of imagination and beauty and their ability to transmute life and reality. Keats died of consumption in Rome and was lamented by Shelley in the famous elegy Adonais. Ode to a Nightingale was inspired by the actual song of a nightingale in a garden in Hampstead where Keats was staying at that time. This poem is the best example for what Wordsworth calls “ the spontaneous overflow of powerful feelings recollected at tranquility”. Only a few months ago Keat’s only brother Tom died of consumption and that is why there is an elegiac reflection in the poem.

annalysis.........

With "Ode to a nightingale," Keats's speakers begin his fullest and deepest exploration of the themes of creative expression and the mortality of human life. In this ode, the transience of life and the tragedy of old age is set against the eternal renewal of nightingale's fluid music. Hearing the song of nightingale, the speaker longs flee the human world and join the bird. His first thought is to reach the bird's state through alcohol-in the second stanza, he longs for a "draught of vintage" to transport him out of himself. But after his meditation in the third stanza on the transience of life, he rejects the idea of being "charioted by Bacchus and his pards" (Bacchus was the Roman god of wine and was supposed to have been carried by a chariot pulled by leopards) and chooses instead to embrace for the first time since he refused to follow the figures in "Indolence," 'the viewless wings of poesy."

The rapture of poetic inspiration matches the endless creative rapture of the nightingale's music and lets the speaker; in imagine himself with the bird in the darkened forest. The ecstatic music even encourages the speaker to embrace the idea of dying, of painlessly succumbing to death while enraptured by the nightingale's music and never experiencing any further pain or disappointment. But when his meditation causes him to when his meditation causes him to utter the word "forlorn," he comes back to himself, recognizing his fancy for what it is –an imagined escape from the inescapable ("Adieu! The fancy cannot cheat so well / as she is fam'd to do, deceiving elf'). As the nightingale flies away, the intensity of the speaker's experience has left him shaken, unable to remember whether he is awake or asleep.

But in the nightingale's song, he finds a form of outward expression that translates the work of the imagination into the outside world, and this is the discovery that compels him to embrace poesy's "viewless wings" at last. The "art" of the nightingale is endlessly changeable and renewable; it is music without record, existing only in a perpetual present. As befits his celebration of music, the speaker's language, sensually rich though it is, serves to suppress the sense of sight in favour of the other senses. He can imagine the light of the moon, but here there is no light; he knows he is surrounded by flowers, but he "cannot see what flowers are at his feet. He has achieved creative expression and has placed his faith in it, but that expression-the nightingale's song-is spontaneous and without physical manifestation.

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Que ...16

QUE.....16

 although elionor dashwood is not first person narrator ,most of the story is told through her eyes and austen seems to agree with all of her opinions .why do you think the author choose this method of storyteling.

ANS.........

What is the point of view of the narrator . The point the narrator in sense and sensibility refers to the perspective under which the narrator the perspective under which the narrative is told depending on the narrative is is told depending on the events that surround the p?Ot .In this case , the point of view comes directly from the point of view from the prspecpersp of Elinor , who is the heroine and main character of the story .

Third person
This is a text book third person omniscient  narrator we have a privilege view inside the minds of most of the characters, and Austen s strong narratorial voice Takes vs in and out of the people that populate this novel.
However, the narration tends to focus our perspective through Elinor's thought most of , and we find our own opinion most clerlyc influence ed by hers... Notable ,Austen primarily concerned by with showing us we occassionocc get to see inside ' edward or john , we mostly stick close to the women in the novel , and get to know them better than anyone else.




How do we know this is omniscient ???
We know this because of the information that is conveyed . We know the narrator is omniscient the narrator is omniscient because the information.related to the readers isn't limited to what one .Character can see or hear. The narrator always knows what happens when and where , and to every one . The narrator knows evry aspect of evry of evry fact about the whether ,the past , and the presented the narrator can even tell you whata my character is thinking or feeling . Here are some examples that show that the narrator can every aspect of evry fact about the weather , the past ,andthe presented the narrator can even tell you what any character is thinking or feeling . Here are some examples . That show that the narrator is all . Knowing
1... The family of dashwood had been long settled in sukses.
2... From a reverie of this kind , as she sat at her drawing , soon after edward learning them , by the arrival of than . She had expected Marianne awoke the next morning to the same conscious ness of misery . In which she had closed her eyes.
Too sum up...

question ...16 disscossion

QUE.....16

 although elionor dashwood is not first person narrator ,most of the story is told through her eyes and austen seems to agree with all of her opinions .why do you think the author choose this method of storyteling.

ANS.........





1


What is the point of view of the narrator . The point the narrator in sense and sensibility refers to the perspective under which the narrator the perspective under which the narrative is told depending on the narrative is is told depending on the events that surround the p?Ot .In this case , the point of view comes directly from the point of view from the prspecpersp of Elinor , who is the heroine and main character of the story .

Third person
This is a text book third person omniscient  narrator we have a privilege view inside the minds of most of the characters, and Austen s strong narratorial voice Takes vs in and out of the people that populate this novel.
However, the narration tends to focus our perspective through Elinor's thought most of , and we find our own opinion most clerlyc influence ed by hers... Notable ,Austen primarily concerned by with showing us we occassionocc get to see inside ' edward or john , we mostly stick close to the women in the novel , and get to know them better than anyone else.




How do we know this is omniscient ???
We know this because of the information that is conveyed . We know the narrator is omniscient the narrator is omniscient because the information.related to the readers isn't limited to what one .Character can see or hear. The narrator always knows what happens when and where , and to every one . The narrator knows evry aspect of evry of evry fact about the whether ,the past , and the presented the narrator can even tell you whata my character is thinking or feeling . Here are some examples that show that the narrator can every aspect of evry fact about the weather , the past ,andthe presented the narrator can even tell you what any character is thinking or feeling . Here are some examples . That show that the narrator is all . Knowing
1... The family of dashwood had been long settled in sukses.
2... From a reverie of this kind , as she sat at her drawing , soon after edward learning them , by the arrival of than . She had expected Marianne awoke the next morning to the same conscious ness of misery . In which she had closed her eyes.

Frankenstein work by Study.com

Heerva bhatt .....

Q.14 “The structure of Frankenstein is ‘box-within-a-box’.” Illustrate.

Jyotiba Gohil ......

Psychological in Frankenstein.. 

Rudrika Gohel ......

Science vs nature in Frankenstein....

Riddhi Joshi 

Myth in Frankenstein..

Niyati pathak

Narrative technique in FRANKENSTEIN


Mehul bhai

Question 17: Discuss the novel’s shifts narrative perspective. What is the effect of presenting different character’s viewpoint, especially those of Victor and the monster?



Hema

Frankenstein- treatment of human mind and simmilarities between Victor and Monster

Q4 Write a critical note on Mary shelley treatment of human mind Frankenstein.


Hema

Frankenstein: Hope and Despair

Q10. Frankenstein swings between "hope" and "despair". Explain?


Niyati pathak
Question 22........


Victor attributes his tragic fate to his relentless search for knowledge. Do you think that
this is the true cause of his suffering? In what ways does the novel present knowledge as
dangerous and destructive?

Heerva bhatt

Write a note on the plot construction of Frankenstein.

Niyati PATHAK

Narrative Structure of Frankenstein.........

Narrative Structure of Frankenstein.........

Or..
Explain the term Narratology. Write a note on the narrative structure of Frankenstein.

Or 
4. “The structure of Frankenstein is ‘box-within-a-box’.” Illustrate.

Mehul bhai

Question 18: Trace and discuss the role of letter communication throughout the novel. (Frankenstein)

RIDHHI joshi

Who is the real monster in the novel? Give reasons for your answer.





To be continued ........😊

Sense and sensibility.....

Que....
"Sense and Sensibility is a novel of love and deception, of kindness and greed". Explain.

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INTRODUCTION.....

Sense and Sensibility is a novel which is written by Jane Austen who was one of the most shining stars of the 18th century in the Romantic age which has its own place in the history of English literature and Jane Austen was also a second as a novelist because earlier only Mary Shelley was there to be a novelist and then Jane Austen was the lady who thought that she should write novel and mostly she has written a novel which are based on the domestic life that can be found in the every  person’s life.


          First it is necessary to know about the title that is selected by Jane Austen in her novel Sense and Sensibility. Jane Austen was particularly concerned with the answer to these questions, especially within the confines of her eighteenth century British society. Never more does she examine the possible answers to these questionsthan in her first published novel. Sense and Sensibility.Most critics understand thatAusten’s original title for this novel was not Sense and Sensibility but was ratherElinor and Marianne.Knowing this makes it more understandable as to why she used the word “sense” and the word “sensibility”; to see them in congruence with one another allows us to appreciate the opposites of her intentional juxtaposition, which is in essence that Elinor’s second name is “Sense,” and Marianne’s is “Sensibility.”


This becomes interesting because the definition of “sense” is that of having a“practical soundness of judgment,” and the eighteenth century definition of the word“sensibility” means an“emotional consciousness: quickness and acuteness of feeling”(“Sensibility”). To name the novel after both protagonists by using their propensities foreither sense or sensibility is clever and draws her readers to begin the novel by examiningElinor and Marianne as keepers o f either pathway to knowing what they think they know.It is a fair assumption that Austen, through her two protagonists, means to deliberatelypaint the portrait o f separation and difference between them, hence establishing thejuxtaposition.

The plot of Sense and Sensibility revolves around marriage. The novel begins with Elinor and Marianne as unmarried but eligible young women and only concludes when both of them settle into marriages. Engagements, possible matches, and marriages are the main concern of most the novel’s characters and the subject of much of their conversation. Thus, love is also of central importance to the novel, as Marianne and Elinor fall in love and seek to marry the men they love.

However, marriage isn’t all about love in the world of Sense and Sensibility. In fact, it’s often more about wealth, uniting families, and gaining social standing. Moreover, it’s often families and parents who attempt to decide engagements as much as any individual husband or wife. Mrs. Ferrars, for example, cares only about her sons marrying wealthy, upper-class women. She does not care whether Edward loves Lucy and cuts all ties with him when she learns of their engagement. For her, the decision of whom her sons will marry is as much hers as theirs, because their marriages are more about their whole family than about their own individual desires.

Marriage is an important part of the functioning of the high society in which Austen’s characters live. It determines who will inherit family fortunes and properties, and is of particular importance to women, whose futures depend almost entirely on the prospects of the men they marry. Nonetheless, while people in the novel often marry for reasons other than love (Willoughby, for example, marries Miss Grey just for money), Elinor and Marianne ultimately do marry for love. For Marianne, though, this means redefining her notion of love and allowing herself to develop affections for Colonel Brandon, even though she did not love him at first sight. The novel also shows the importance of love through a consideration of family. The bonds between Elinor, Marianne, Margaret, and their mother stand strong through all the difficulties they endure and at the end of the novel they maintain a happily close relationship. Thus, while marriage may often be more a matter of economics than of love, the examples of Marianne and Elinor show that it doesn’t necessarily have to be this way. And, insofar as marriage brings families together and creates new family units, it can create strong and lasting bonds of familial love.

Reference......

http://mdreviewportion.blogspot.in/2018/01/the-theme-and-summary-of-sense-and.html

http://thesecretunderstandingofthehearts.blogspot.in/2011/06/sense-and-sensibility-bicentenary.html

http://tadhava.blogspot.in/2015/03/sense-and-sensibility-is-novel-of-love.html

Narrative Structure of Frankenstein.........

Narrative Structure of Frankenstein.........

Or..
Explain the term Narratology. Write a note on the narrative structure of Frankenstein.

Or 
4. “The structure of Frankenstein is ‘box-within-a-box’.” Illustrate.

Ans ......

A good trume narrative story will finish all of the stories in an organized manner:

★As we all know that marya jelly was used multiple narratives in altriply story within story so, there are three narrators :- ....

1:-Captain Walton

2:-victor Frankenstein

3:-THE monster

Gerald gennete's Narrative Discourse ,and figurative of literature Discourse are foundational work in narratology.

Here in Frankenstein "I"narration or we can fram narrative , story within story .

The nature of the narrative in Frankenstein  is inseparably linked to its structure , which combines three different narrative stances.

These narratives sit with in one another , like a set of boxes.

The structure is tight because of embaed narrative .


It is written 1st person narrative novel, but there are three 1st person narratives .

However there are three narrators in novel Frankenstein. Th first is Walton who is narrating the story in form of letter to his sister Saville. The second narrator is Victor Frankenstein who narrated his own story to Walton. The third one is Monster the creation of Victor. This novel is structred as Frame narrative. There are three stories within the story. Walton's, Victor's and Monster's story. By multiple narrator we can think about the different possible aspects of the novel. By listening to different point of view we can judge the character that who is good and who is bad. The novel begins from the climax seen when Victor was thinking to destroy his own creation. Every story has beginning, middle and end. Story remains same but the pattern of the story is different. Frankenstein is can be said as an epistolary novel because it was written in the form of lettter by Walton to his sister. However there are three narrators in novel Frankenstein. Th first is Walton who is narrating the story in form of letter to his sister Saville. The second narrator is Victor Frankenstein who narrated his own story to Walton. The third one is Monster the creation of Victor. This novel is structred as Frame narrative. There are three stories within the story. Walton's, Victor's and Monster's story. By multiple narrator we can think about the different possible aspects of the novel. By listening to different point of view we can judge the character that who is good and who is bad. The novel begins from the climax seen when Victor was thinking to destroy his own creation. Every story has beginning, middle and end. Story remains same but the pattern of the story is different. Frankenstein is can be said as an epistolary novel because it was written in the form of lettter by Walton to his sister.

And also we can say that The narrative style of “Frankenstein” is frame narrative or box with in the box. Narratology is study of narrative and Gerard Genette give term narratology. In this type of narrative style there is story with in the story and there can also be more than one narrator. In this novel there is three narrator one is Captain Walton who told story to his sister through letters. Second is Victor Frankenstein who telling the story to Walton and third is monster who is telling story to the Frankenstein. This is the narrative style of Frankenstein.


Work sited ........

https://freebooksummary.com/narrative-structure-of-frankenstein-19518

http://jankiranabatch2014-16.blogspot.in/2015/03/narrative-technique-in-frankenstein.html


http://jakedoesrevision.blogspot.in/2013/06/a2-english-literature-narrative.html

frankenstein question 22

Question 22........


Victor attributes his tragic fate to his relentless search for knowledge. Do you think that
this is the true cause of his suffering? In what ways does the novel present knowledge as
dangerous and destructive?

ans ...........

In Mary Shelley's Frankenstein, Victor Frankenstein attributes his fate to his search for knowledge. The novel is related through multiple frames which allow the reader into the thoughts and perspectives of various characters, such as Walton, Frankenstein, and the monster.

At the beginning of the work Frankenstein asks Walton: "Unhappy man! Do you share my madness? Have you drunk also of this intoxicating draught?" . Frankenstein calls the quest for knowledge madness. It was this madness that led to his obsession to create the monster. More importantly, this obsession led him to create life. The creation of life is a powerful responsibility, and Victor Frankenstein does not handle this power well, abandoning his creation and leading to the destruction of those he loves, as well as to his own downfall.

Once the monster is created, Victor has met his goals and he no longer wants to deal with the monster which eventually becomes problematic.  So, it is both Victor's need to know and his sense of pride that lead to tragic ends.
So ,...
I think Victor's goal is more than just knowledge. He wants power over life and death - to be a god. It is his misuse of knowledge that what ultimately destroys him. He abandoned his creation and left him to fend for himself. The monster faced rejection by his "father" and everyone he encountered. Had Victor spent time nuturing his creation and showed him any kindness, the monster would have had at least that one human connection to the world.

Reference.........

★https://prezi.com/m/vjos-fo-imdh/dangerous-knowledge-in-frankenstein/
★https://en.m.wikipedia.org/wiki/Frankenstein




THANK you .......


If you have any confusion regarding this comment on comment box......😊👍...

Narrative technique in Frankenstein

Frankenstein ......... From narrative technique ...........


First of all what is narrative technique is important question .....

Here is one video about narrative technique ....

Ple first view this video ....


=>Narratology pr narrative technique ...
         Is a. Story ,whether told in prose or verse, involving events , character s, and what the character say and do .
=>Narratives are told by a narrator...
Gerald Gennet codified a system of analysis that examined both the actual narration and the act of narrating as they are existed apart from the story ot the content .
=> Point Of View In Narrative. Fiction .....
Three different types of narration point of view ...
1 first person , 2 second person , 3 third person.


◆Write about the narratology of Frankenstein?

★As we all know that marya jelly was used multiple narratives in altriply story within story so, there are three narrators :- ....

1:-Captain Walton

2:-victor Frankenstein

3:-THE monster

●Gerald gennete's Narrative Discourse ,and figurative of literature Discourse are foundational work in narratology.

●Here in Frankenstein "I"narration or we can fram narrative , story within story .

●The nature of the narrative in Frankenstein  is inseparably linked to its structure , which combines three different narrative stances.

●These narratives sit with in one another , like a set of boxes.

●The structure is tight because of embaed narrative .


●It is written 1st person narrative novel, but there are three 1st person narratives .

Ex.....
The shift from victories perspective of the monster being 'ugly' to the monsters perspective in chapter ii the monster is no longer just a monster .
     "It was dark when I awoke , i just cold also , and half frighten as it were , instinctively ,finding myself to desolate."
The MONSTER ...

★ Which the monster important?
Although all of the narrative technique and devices are important , the most important is how Shelly frames the stories  from person point of view .

Why?
>. Because the point of view leaves the novel up for inter pretension while still conveying Shelly's intent the reader is avle to make personal and deside for them selves what's true or what is not.

Strength .....

The  narrative technique allow for interpretation and keep the novel interesting . By seeing th e story from each main character , the reader gets multifaceted look a t a sa me incident , making it not only interesting but challenge ing to decide which character is worth trusting .


WEAKNESS ........

The strength can also seen as a weakness because the multiple interpretation can cause confusion , ambiguity ,and be completely unreliable .


To compare /contrast ..........

In jane Austen's EMMA  third person point of view gives a clear , object and reliable view of character leave events . Although this doesn't leave room for ambiguity , it makes the plot somewhat predicable .
In the Frankenstein , the plot and characters are so interesting because we get insight into their perspective it is pretty incredible that even the flat character can hold a readers attention .


Thank you.......😊

How to create your own channel .......

How to create your own channel in youtube

As we all know that youtube is very useful and helpful now a days because of study and many more things like , films , adotisement, even cooking etc..............

So, now a days youtube is very helpful for students also because time and again people are refuse to study threw books and all other type which we generally do in our past time .But , here in 21th century people are growing and study threw digital tools like flinnt, flipped learning, google classroom , and many more. So,here youtube apk is very much useful  or the students because we can say that the visual imagery is better to understand in learning . So, here we first of all see how to create your own youtube channel in a very easy steps:-.

Let me tell you how to create your channel in youtube ..

Step 1.  Open youtube app

Step 2.  Sign in youtube

Step 3.  Again touch id icon and one folder open there click on my channel

Step. 4. Change your name as you wish to create on any name

Step 5. Now your channel is ready ....

So ,i hope it's clear that confussion how to create channel .

So, keep sharing .....



Here is one video is also helpful for understanding how to create